| Karen King
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| Contact
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| studio |
Lewisham Art House Limited,
140 Lewisham Way, London SE14 6PD |
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| telephone: |
Tel (Mon-Thu): 020 8244 3168 |
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| email: |
arthouse@dircon.co.uk |
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| website: |
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| fax: |
Fax/Ansafone: 020 8694 9011 |
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| home |
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| Tel/Fax: |
020 8699 2965 |
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| Mobile: |
0797 1621 385 |
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| email: |
karen_sking@lineone.net |
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Statement
My work combines my art practice, painting, with my professional practice
(I mean paid), graphic design, specialising in interpretative graphics for
the cultural and heritage sectors. ‘Deptford circa 1973’,
painting and graphic panel. Is my first work to include its own interpretative
graphic panel. The work was initially a response to the first DeptfordX
arts festival. I went to primary school in Deptford and wanted to make a
work about how Deptford and me have aspired to similar goals yet have retained
our ‘character’. It marks my first overtly personal work, inspired
by a snapshot taken on the high street. The painting makes use of vividly
remembered colours, so I felt it important to display it with the original
black and white photograph and so I created the graphic panel. The panel
first contained facts about the day that then later developed into a memory-story.
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Beach Baby, painting and graphic panel.
Made specifically for the Girl Talk exhibition, part of Women’s Week.
Week. I wanted to create a work that was pertinent to women and the story
was this time to take the lead role. The story is a sensitive
issue and I worked hard so as not to sensationalise the subject for the
sake of impact. It stands as simple testimony, the comment perhaps contained
only within the ice-cream colours of the painting, allowing the reader/viewer
to put it in the context of our current and
past reactions to sex and childhood.
Combining my artist and designer skills with story telling has become a
breakthrough and approaching ideas by use of my personal history has balanced
the accessibility of themes and ideas.
My life stories are rich but they are ordinary, documenting them provides
comment on our climate of (p)raising the mundane to super-star status and
celebrity obsession. My tongue and cheek approach to my own self absorption
in my own ordinariness is a mirror of how we are encouraged to measure success.
I use Deptford heavily to focus the idea of how we bump into ourselves again
and again. Deptford is where I went to primary school, made my first holy
communion and where now I have my studio. I loathe it and I love it, bred
from that subjective familiarity and possessiveness that typically surrounds
an area recently thrust into fashion. Deptford and me seem to have shared
aspirations and characteristics. |
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the images above to view work.
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Exhibitions
Palindrome-Palimpset
Arthouse Gallery, 2002.
Girl Talk
ARthouse Gallery, 2001
The Art experience
Atrium Gallery, London 1997.
Solo show
77 Cornhill, London 1997.
Absolut Secret
Royal College of Art 1996.
Artists in Print
Atrium Gallery, London 1996.
Lottery Update
ARthouse Gallery 1995.
LondonStrasbourg
European Parliament
France and London 1995.
Southwark Open
South London Gallery 1994.
‘Two Really Great Guys’
ARthouse Gallery 1993.
The Elephant Press
Smith’s Gallery, London 1992.
Commission for the South Hall,
Horniman Museum 1992.
‘Six’ installation in the South Hall
Horniman Museum 1990-1992.
‘Three’
Heaven, London 1987.
Bloomsbury Gallery, 1987.
Time based exposition
selected by Ron Hasledon
Reading University, 1985.
Landscape into Art,
Camberwell School of Art, 1983. |
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